Perspectives on Plein Air

January in New Hampshire is cold. Damn cold. So when I had the chance to go to Bermuda for a week of plein air painting, I didn’t care that it was their winter and they considered 68 degrees “cold.” Isn’t it all about perspective?

I am far more comfortable painting in a studio than outdoors. Don’t get me wrong—I love being outside—but plein air painting is a challenge. You’re bound to forget something important (Gamsol!). Need viridian but only have sap green? No problem—someone always has you covered. Painting with nine like-minded souls is pure pleasure, and if you forget something, someone else is bound to have it.  

Getting out of your comfort zone is all about growth, and plein air was definitely outside mine. Finding the right composition. Not painting everything you see. Quick studies. Unfinished little paintings. Trying not to chase the light. Forgetting to check the direction of the sun on my canvas when I set up. Rain. Sand. Wind. Critiques and encouragement. Talking about art with people as enthusiastic as you are for 7 days.  

And yet—I was in my element. Now I truly understand why it’s so important to get outside and paint, and I will definitely be doing a lot more of it.

Special thanks to Todd Bonita for running such a wonderful workshop.  Todd is not only a painter I admire but he translates his knowledge into bite size pieces of information with humor and clarity and tons of energy.  If you are looking to expand your painting skills you must check out his classes and other trips  at www.toddbonita.com.